Whose story?
One person the audience follows. The keeper, or the voice on the radio?
Asked when your idea has two leads
INT. PALACE CINEMA - NIGHT
Describe the idea, set the running time, answer a few questions. Get a full, formatted script.
1INT. YOUR APARTMENT - 3 A.M.1
You, wide awake. The idea arrived an hour ago and it will not leave.
You type it into your phone before it goes, the way everybody does: fast, lowercase, full of question marks.
Then you open a blank document. A formatted script page runs about one minute of screen time, so a feature is roughly ninety of them, and nobody tells you where page one starts.
2INT. WRITERS' ROOM - DAY2
Not a form. A few high-level questions about the parts your idea left open. Anything the idea already answers, it skips.
One person the audience follows. The keeper, or the voice on the radio?
Asked when your idea has two leads
And what stands in the way. That pair is the engine of every scene.
Asked when the goal is unclear
Same idea, different film. Pick one; the page in scene 4 will follow it.
Earned, bittersweet, or left open. The last scene decides the first one.
Asked when there is no ending yet
Festival short, a YouTube piece, a pitch, a feature. And what you can actually shoot.
Sets locations, cast size and pace
That's the room.
A handful of questions, answered in plain words, and the writing starts.
3INT. PRODUCER'S OFFICE - DAY3
The one question that decides everything else, asked across a desk.
Producer
How long is it?
Feature. Three acts.
Rules of thumb, not rules: about one page per minute, and the big turns where audiences expect to feel them. You can move any of them.
1.
FADE IN:
5INT. STUDY - NIGHT5
FADE OUT.
Type the idea the way it lives in your head. We'll show you the shape of the script and the first things we'd ask.